This is somewhat a rejoinder to the post I made on March 11. The issues that I am going to raise are actually a bit marginal to the main issues I foisted earlier.
Thanks to Aileen for taking special notice of the idea that beauty pageants can actually become a site to challenge linguistic dominance. Now, I’m beginning to seriously consider the idea that the pageants do more than that. Pageants can actually be seen as a contested site, a site of struggle between social actors including the so-called elite and the marginalized (This may sound contrived – and please pardon me on this – but this is helping me rehearse my mind for the paper I am writing for my graduate module – not related to pageants, though.).
My point is that pageants cannot just be seen from a monolithic standpoint or be viewed simplistically as anti-women (usually by critics of post-feminism) or pro-female empowerment (by delusional owners of beauty pageant enterprises and a lot of post-feminists of course). Somebody has raised in one of the forums that the Philippine’s crazy passion for beauty pageants is a ‘subversion of the semi-feudal society’ – which may be the case – but the analysis needs to be ‘complexified’ (I’m afraid Lorie and Angie will raise their eyebrows for this word!) as there are a lot of nuances involved in the pageant arena. The case of Janina San Miguel winning a crown may be a case in point (notice the hedging as I cannot be categorical at this point). She comes from a simple family (she says in a TV interview that her father is a jeepney (or is it taxi?) driver), perhaps a marginal group who may have little access to public platforms where members can articulate their own views about themselves and their relation to their immediate and remote contexts. The beauty pageant, though produced, owned, and controlled by the social elite (e.g., Madam Stella Marquez de Araneta and company, corporate sponsors, Ambassadors and popular public personalities as judges) and though driven by elitist interests (the dole out mentality euphemized as charity is just screamingly obvious), becomes a venue where young women from ‘ordinary’ backgrounds can create small but ‘revolutionary’ steps to redefine their identities and articulate/express (in a variety of ways – mangled English, native tongue, grace under pressure, self-affirmation in the face of mockery) their often muted/silenced viewpoints or perspectives.
There is no denying though that the pageant is largely controlled by elitist/dominant discourses – hyper-sexualized women strutting on stage, formulaic questions and answers that reaffirm social hierarchies, dominant beliefs and values – but the women who participate in this arena can not be simply regarded as unthinking subjects that are duped to reproduce dominant perspectives. In fact, the answers of candidates 8 and 18 to their respective questions (one on the most difficult problem she has faced and the other on her concept of a perfect family) were answers that challenged the prevailing idealized notions of family in the Philippine context. Both girls come from ‘broken families’ and have been very honest about how they see or appreciate such condition in a different way. They have somehow broken a type of essentialism and this makes them less pageant patty.
Janina San Miguel’s victory, because of her inelegant English (I find her answer “My family is the most important persons (sic) in my life" acceptable. At best, it is indirect and enthymematic if seen through the lens of classical rhetoric. In other words, she allows her audience to infer from her utterance which is a mark of a genius! Hahaha. Of course, this is contrived, because I have become a fan and staunch supporter of Janina), has disturbed quite a number of people, especially members of the so-called intellectual elite who perpetuate the language ideology that English is a superior language or that knowledge of English makes one intellectually superior. Her victory was seen not just as a fly in the ointment but as a subversion of idealized notions of ‘beauty and brains’, of the perfect female representative of the Filipino race. Janina somehow represents the subject position of the marginalized – young, ordinary, vulnerable. How can she possibly snatch a crown previously worn by English-speaking mestizas or morenas (think of Ruffa Guttierez, Karla Bautista, Mafae Yunon) trained from the elite schools of the country or overseas? She is the subversion of the idealized Miss Philippines-World candidate and that is utterly unacceptable to some members of the intellectual elite (not that a lot of them care about beauty pageants.).
This is not to downplay the idea that asymmetrical power relations exist in beauty pageants – the elites like Donald Trump, Julia Morley, and Madam Stella own, produce, dictate the ideas that ought to circulate in their respective (business) enterprises. This does not however mean that the candidates, their trainers, the noisy and vibrant communities of pageant fans driven by communal/consensual dreaming, and the audience at large do not have the power to redefine (in the words of Homi Bhabha, ‘insinuate, interrupt, interrogate, and antagonize’) the dominant discourse/s of the elite. They have the power, and although they may be constrained to use it, they pose a welcome threat that makes the play messy, dynamic, and definitely exciting!
Photo credits: Boyet Blas for mabuhaybeauties.com